Why Bach’s music is indestructible, whether on the mandolin, modern piano – or soundtracking murder
Why it matters: Bach's music continues to be a top performer in classical charts and a staple in global Easter performances.
- Bach's music is currently dominating classical charts and concert performances, with his St Matthew Passion being performed in major cities globally for Easter.
- James Ehnes (violinist) describes Bach's instrumental music as "zombies" because it remains indestructible and communicates its essence despite extensive arrangement and reimagination.
- Clive Paget (Guardian critic) uses the term "meat-grinding" to describe the opening chorus of the St John Passion, emphasizing its visceral, dramatic intensity and obsessive musical repetitions, especially in Raphaël Pichon's new recording.
- Bach's compositions are noted for their ability to convey both terrifying spiritual exorcism and profound hope, making them suitable for diverse uses, from Pasolini's 'The Gospel According to St Matthew' to 'The Silence of the Lambs'.
- Raphaël Pichon's new recording of the St John Passion is highlighted for its drama-filled interpretation, particularly in the eight-minute opening chorus, which Paget describes as forming a "gigantic cross shape in musical time."
As Easter approaches, Bach's music dominates classical charts and concert halls, prompting reflection on its enduring power. Violinist James Ehnes describes Bach's instrumental works as "zombies" for their ability to survive endless arrangements while retaining their essence, a sentiment echoed by the music's pervasive use in diverse contexts from film scores to modern interpretations. Conversely, Guardian critic Clive Paget characterizes the opening of the St John Passion as "meat-grinding," highlighting the visceral, dramatic intensity Bach achieves through obsessive repetitions and searing harmonies, particularly in Raphaël Pichon's new recording.
