Royal Ballet: Giselle review – Marianna Tsembenhoi soars in an indelible debut
Why it matters: A rising star's debut signals a new era for one of ballet's most iconic roles.
- Marianna Tsembenhoi, a first artist, delivered a standout debut as Giselle, impressing with her technical tidiness, elevation, and mature interpretation of the mad scene and Act Two's quiet resignation.
- Joseph Sissens also debuted as Albrecht, portraying the complex nobleman with subtle self-possession and a caring dance style, effectively conveying his character's privileged nature and affection for Giselle.
- The supporting cast, including Nadia Mullova-Barley as the powerfully stark Myrtha and Julia Roscoe as a 'deliciously imperious' Bathilde, contributed to the production's overall strength, highlighting the depth of talent at the Royal Ballet.
Marianna Tsembenhoi, a 25-year-old first artist, made an indelible debut as Giselle for the Royal Ballet, showcasing remarkable elevation and a nuanced portrayal of the character's journey from innocence to spiritual resignation. Her performance, alongside Joseph Sissens' subtle yet self-possessed Albrecht, signals a promising future for both dancers within the company.
