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Filmmaker finds her baby-kidnapper subject fabricated the story

By The Guardian Culture · Summarized & edited by · 2026-07-28
Filmmaker finds her baby-kidnapper subject fabricated the story

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Why it matters: A documentary whose central premise — an agreed baby handoff — turned out to be a fabrication by the perpetrator, forcing the filmmaker to restructure a finished story around the real victim (Mayra, whose infant was stolen from her cot); the case exposes how true-crime filmmakers inherit whatever narrative their incarcerated subject gives them, with the 80%-accurate-by-Alberdi's-own-estimate telenovela reconstruction airing the kidnapper's preferred version even after the court evidence surfaced.

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