Durban FilmMart: African Cinema's Money Problem — SkimNews

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- Durban FilmMart holds its 17th edition Oct. 9-12 in Durban, South Africa, framing four days of debate around African cinema's financing boom and distribution squeeze.
- Marie-Clémentine Dusabejambo took the Caméra d'Or at Cannes for post-genocide debut "Ben'Imana," while Arie and Chuko Esiri's "Clarissa" — starring Sophie Okonedo, David Oyelowo and Ayo Edebiri — was acquired by Neon, and Auguste Bernard Kouemo Yanghu won Venice's best first feature for "House of the Wind."
- Homegrown financing is replacing European underwriters, with Next Narrative Africa Fund, CANEX Creations Inc. (the African Export-Import Bank's IP arm), MBO Capital, Volition Capital and Capital Film Productions now backing African projects.
- Steven Markovitz of Big World Cinema and the HEVA Fund co-hosted the inaugural African Film Investor Roundtable, citing a "critical mass of equity investors" writing checks of $100,000 to $3 million per project.
- Prime Video, Netflix and Canal+ have exited or scaled back their African investments, leaving fewer buyers even as capital floods in — a sequencing Marie Lora-Mungai of Restless Global called "the opposite sequence to the one everybody planned for."
- CANEX Creations Inc. and the African Producers Accelerator (Big World Cinema plus the Bertha Foundation) are pivoting toward curating market-ready commercial projects to pair with investors.
- Tshepiso Chikapa Phiri, DFM Institute chairperson, urged attendees to move beyond talk: "We need to have much more structured conversation and much more intentional conversations" on infrastructure, policy and incentives collaboration.
Why it matters: African producers now command more equity capital than ever — checks of $100,000 to $3 million from a growing roster of African investors — but the same corporate retrenchment that shrank the streaming buyer base means financiers are demanding commercial returns on a market where demand contracted first. The Durban gathering will test whether new tools like CANEX Creations and the African Producers Accelerator can build sellable pipelines before investors lose patience.
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