Cannes 79th Wraps, Frémaux Defends Festival’s Relevance

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- Thierry Frémaux – said Cannes has become more intense and efficient and remains competitive despite social media, influence logic, and money pressure.
- Cannes Film Festival – concluded its 79th edition with Cristian Mungiu’s “Fjord” winning the Palme d’Or, delivering a lineup of acclaimed films but no immediate consensus masterpiece.
- United States – is the second most represented country at Cannes, with American stars such as Adam Driver, Kristen Stewart, Michael Fassbender, Rami Malek, Cate Blanchett, Julianne Moore, Javier Bardem, Penélope Cruz, John Travolta and Vin Diesel attending.
- Netflix – is welcomed back by Frémaux, who highlighted Greta Gerwig’s upcoming Netflix film “Narnia: The Magician’s Nephew” slated for a theatrical IMAX rollout.
- Vincent Bolloré – was addressed by Frémaux, who criticized the “fascist vision” label as excessive but acknowledged legitimate concerns about his ideological project ahead of France’s presidential election.
- Un Certain Regard – is described as an incubator for future Competition filmmakers, with titles like “Club Kid” generating buzz but moving them to Competition might not serve them well.
- National Federation of French Cinemas – helped broadcast the Cannes opening ceremony and film in nearly 1,000 French cinemas, a record achieved with the federation, expanding the Official Selection across France and Europe.
Why it matters: Filmmakers and distributors gain a reinforced platform for exposure as Cannes asserts its competitive edge, while the record broadcast to 1,000 French cinemas expands audience reach. A Netflix comeback, hailed as a major event, would further integrate streaming and theatrical markets at the festival.



