Simon Pegg Can't Save The Undeclared War's Cyber Dullness

Get the Culture newsletter
Daily culture — film, music, books, the trends and ideas worth your attention. Free.
- The Undeclared War returned for a second season on Channel 4, four years after the 2022 first run, with Simon Pegg taking over as lead Danny Patrick, head of GCHQ operations — displacing season one's protagonist Saara (Hannah Khalique-Brown).
- Paul McGuigan directs the new season, replacing Peter Kosminsky (Wolf Hall, The Government Inspector), and opens with a kinetic one-take corridor sequence that the review contrasts with season one's "slow, quiet and dingy" pace.
- Colin Teevan writes the new run, but the review says the politics stay one-dimensional: idealistic Danny vs. pragmatic boss David (Alex Jennings) vs. gung-ho cabinet minister Richard Marston (Ed Stoppard), who pushes symmetric retaliation against Russia that Danny calls "highly escalatory" — a line the reviewer counts as recycled roughly 100 times in season one.
- The timeline shifts: season one was set two years in the future (2024), while season two continues directly, placing viewers "two years in the past."
- Season 2 quietly introduces China as a new cyber adversary via Siân Brooke's Barbara, who heads GCHQ's China team and is Danny's wife — expanding the show's threat landscape beyond the Russia focus of season 1, an angle the review raises in passing but doesn't develop.
- The review identifies a structural problem: cyberwarfare "isn't especially televisual," reducing the show to people "pressing buttons in a bunker on the outskirts of Cheltenham" rather than the Cold War-era espionage of sneaking into buildings and living double lives in foreign cities.
- The review concludes the threat level is "still much too low" and that despite the cosmetic changes, the show "fails to push any of the right buttons."
Why it matters: The Guardian's verdict crystallizes a structural problem facing any prestige TV treatment of cyberwarfare: without the physical drama of Cold War-era spycraft, the genre must lean on writing and character — and the reviewer finds The Undeclared War still hasn't solved that equation, recycling its one political dynamic and one catchphrase ("highly escalatory") across both runs while the China angle sits largely unexplored.




