Central American Films Rise at Costa Rica Media Market

Get the Culture newsletter
Daily culture — film, music, books, the trends and ideas worth your attention. Free.
- Desde el Centro showcases seven new film projects at the 2026 Costa Rica Media Market, highlighting Central America’s rising cinematic talent and ambition, with events running July 14–15 in San José.
- Paulina García stars in 'Victoria in the Clouds,' a Panama-Chile-France co-production reuniting her with Panamanian director Ana Endara after their award-winning 'Beloved Tropic,' premiering under Expansiva Cine’s banner.
- Tres Tigres, the Costa Rican production house behind Cannes and Locarno laureates, produces Ardélia Istarú’s hybrid documentary 'Quemada,' which confronts the non-consensual distribution of intimate images and school bullying.
- Natalia Solorzano Vázquez directs 'Spells to Revive a Witch,' a hybrid doc feature using a casting call to resurrect Soralla de Persia, a forgotten 1960s Costa Rican fortune teller, produced by Sputnik Films.
- Argot Productions (Guatemala) faces delayed funding from Honduras for 'April’s Tales' due to political instability, despite the project’s multinational co-production structure involving Germany and Honduras.
- Luis Diego Pérez’s debut feature 'The Beast Is Not to Blame' explores queer childhood in Latin America through a 9-year-old’s silent grief after his best friend’s departure, produced by his newly founded Páramo Films.
- Cinema Costanera produces 'Yubarta,' a Dominican Republic film using stop-motion animation to link Palestinian displacement and anti-Haitian persecution, directed by Nayibe Tavares Avel.
Why it matters: A new generation of Central American filmmakers, often women and queer voices, is leveraging regional co-productions to bypass limited national funding and tell stories that challenge official narratives. The delay in Honduran funding for 'April’s Tales' underscores how political volatility threatens these fragile but vital creative ecosystems.




