Richard Craker on Producing Jolin Tsai's 'Pleasure'

Get the Culture newsletter
Daily culture — film, music, books, the trends and ideas worth your attention. Free.
- Richard Craker spoke at the final conference of the 2026 Golden Melody Festival in Taiwan — a session titled 'Connecting Global Sounds' moderated by Kuang-ping Tso, president of Kouhei Production.
- Craker produced Jolin Tsai's albums "Ugly Beauty" and "Pleasure," with Tsai going on to win Album of the Year for "Pleasure" and Best Mandarin Female Singer at Saturday's ceremony.
- The "Ugly Beauty" sessions at Craker's Karma Studios in Thailand felt like "a musical holiday" of open experimentation, while "Pleasure"'s chorus took longer before clicking in a Los Angeles session with songwriter Ross Golan.
- Craker described Tsai as a perfectionist with a sharp eye for detail, and said what sustains him through long sessions is watching an artist move from merely singing a song to fully inhabiting it.
- His advice to young songwriters borrows from Ed Sheeran: when you first turn on a tap, dirty water comes out before the clean water flows — write badly, write often, trust the good ideas are on the other side.
- On AI, Craker argued technology cannot replicate human connection, emotion, or genuine artistic expression — the things music is ultimately for.
- On Mandopop's global future, Craker pointed to K-pop and Latin music's rises as evidence that breakthrough comes from embracing cultural identity rather than imitating Western sound.
Why it matters: Craker's K-pop and Latin analogy stakes a substantive claim: Mandopop's stalled international crossover isn't a marketing problem but a sonic-identity one — K-pop and Latin broke through by refusing to mimic Western sound. Jolin Tsai's 'Ugly Beauty' and 'Pleasure' wins are held up as proof the model can work in Mandarin.
Ask SkimNews




