Fielder's Holmes Film: Sympathy, Not Schadenfreude — SkimNews
Get the Culture newsletter
Daily culture — film, music, books, the trends and ideas worth your attention. Free.
- "You Can See Everything" has generated anticipation since its first trailer, with audiences expecting further comeuppance for Elizabeth Holmes — but the film delivers something closer to sympathy than mockery.
- Nathan Fielder is the filmmaker behind the project, and the article's headline frames his approach as 'sympathy for the devil,' reframing Holmes from villain to subject of genuine engagement.
- Elizabeth Holmes and her husband Billy Evans are the central subjects of the film, per the source.
- A24 is the distributor of the project and has been leaning into secrecy around it, per IndieWire's coverage.
- NYT Arts reviewed the film under the headline 'The Slippery Mind of Elizabeth Holmes,' echoing the framing that the movie engages with Holmes's psychology rather than simply punishing her on screen.
Why it matters: Audiences primed for schadenfreude against Elizabeth Holmes instead get a Nathan Fielder portrait built on 'sympathy for the devil,' reframing a notorious fraud case as a study of slippery psychology rather than a spectacle of comeuppance — a tonal bet that depends entirely on A24's secrecy-marketing holding up until release.
Ask SkimNews
