‘Babylon Berlin’ Creatives Reflects on Final Season, 13-Year Journey, Past and Present Germany — SkimNews

Get the Culture newsletter
Daily culture — film, music, books, the trends and ideas worth your attention. Free.
- 'Babylon Berlin' wraps its five-season run with the fifth and final season released on Sept. 10 on ARD’s Mediathek, concluding a 13-year creative journey by writer-directors Henk Handloegten, Achim von Borries and Tom Tykwer.
- Achim von Borries emphasizes that the weeks following Hitler’s Jan. 30, 1933 appointment as Chancellor were crucial to depict, expanding the story beyond the team’s original endpoint to capture the rapid collapse of democracy.
- Tom Tykwer draws a parallel between fictionalized history and the Titanic tragedy, noting that staying close to characters fighting for alternatives makes historical inevitability feel viscerally uncertain to modern viewers.
- Von Borries and Tykwer highlight how Europe’s evolving political climate during the show’s production influenced their writing, as audiences began asking where they would have stood during the Nazi rise — a question that fed back into the narrative.
- The 'Babylon Berlin' creative team describes the series as an organic, collaborative process shaped equally by three distinct voices in writing and extensive re-editing, rather than a pre-planned strategic blueprint.
- 'Babylon Berlin' has been viewed over 94 million times on ARD’s online platform and sold to more than 140 territories; MhZ Choice will stream the final season in the U.S. starting in 2027.
Why it matters: The show’s conclusion marks the end of a landmark German television project that grew alongside rising far-right movements in Europe, giving its finale added resonance. With 94 million views and global distribution, its reflection on democratic fragility reaches audiences at a time when similar tensions are re-emerging, making its human-scale historical retelling materially relevant beyond entertainment.
Ask SkimNews




