What happened in this Culture story?

A three-hour documentary about convicted Theranos founder Elizabeth Holmes, co-directed by comedian Nathan Fielder, pulled in $15 million across just 855 screens in its opening weekend in the US and Canada.

What is a key fact in this story? (1)

**"You Can See Everything"** earned $15 million at its box office debut on 855 screens across the US and Canada, securing second place overall behind Paramount's **"Street Fighter"** ($31 million domestic opening)

What is a key fact in this story? (2)

**Deadline** rated it the second-best opening ever for a non-music documentary, behind only Michael Moore's **"Fahrenheit 9/11"** in 2004, and the largest debut for any film on under 1,000 screens since **"Borat"**'s $26 million opening in 2006

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You Can See Everything seen by many on huge box office debut — SkimNews

By BBC Entertainment · Summarized & edited by Kapil Samant · 2026-10-19

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"You Can See Everything" earned $15 million at its box office debut on 855 screens across the US and Canada, securing second place overall behind Paramount's "Street Fighter" ($31 million domestic opening)
Deadline rated it the second-best opening ever for a non-music documentary, behind only Michael Moore's "Fahrenheit 9/11" in 2004, and the largest debut for any film on under 1,000 screens since "Borat"'s $26 million opening in 2006
Nathan Fielder and Lance Oppenheim co-directed the film after gaining access to Holmes' California home in 2023, roughly a month before she began serving an 11-year prison sentence for defrauding Theranos investors
Amanda Seyfried, who portrayed Holmes in the Hulu mini-series "The Dropout," appears in the documentary to re-enact scenes and events the crew could not film themselves
The Guardian and Financial Times each awarded the film five stars, with The Guardian calling it "a modern masterpiece of deceit" and the Financial Times describing it as "a mind-bending revelation"
The documentary premiered as a surprise at the Telluride Film Festival and was produced in secret over three years; its UK theatrical release is scheduled for 20 November

Why it matters: A documentary produced in secret for three years, with a three-hour runtime that capped daily screenings, pulled $15 million on only 855 screens — the second-best non-music documentary opening on record. Combined with five-star reviews from The Guardian and Financial Times, the debut positions the film as a credible best-documentary Oscar contender heading into the 2026 awards season.