John Early's 'Maddie's Secret' blends satire and

Get the Culture newsletter
Daily culture — film, music, books, the trends and ideas worth your attention. Free.
- Maddie's Secret is John Early's directorial debut, co-starring Kate Berlant as his character's best friend Deena; the film is out in the US on June 19 with UK and Australian dates to be announced.
- Early plays the titular Maddie Ralph, a dishwasher dreaming of becoming a "vegetarian Nigella" food influencer, with the character inspired by '50s Women's Pictures and the soft-focus melodramas of 1980s and '90s TV movies.
- Early said the film "goes so hard in both directions" — working as both influencer satire and tragedy — and that he deliberately avoided "a weak middle ground like 'the dramedy'" by not worrying about threading tonal shifts.
- The film draws on specific eating-disorder TV movies: 1986's Kate's Secret (Meredith Baxter) and 1992's The Secret Life of Mary-Margaret: Portrait of a Bulimic (Calista Flockhart), which Early called "quite perverted" and "sensationalistic" but "brilliant" compared to "the streaming slop we have today."
- Early said he was partly inspired by Cole Escola's Oh, Mary! sweeping the Tonys, which "made me want to step it up" by proving a quietly risk-taking film could actually work in the culture.
- Early and Berlant discuss the cultural confusion around weight, with Early citing "the simultaneous body positivity movement and then Ozempic" and Berlant recalling hiding her parents' Weight Watchers device under her bed as a child in LA.
Why it matters: Early frames the film as a deliberate rejection of the "dramedy" weak middle ground, betting that a movie which goes "so hard in both directions" — fully committing to satire and tragedy — can find an audience. His proof point is Escola's Tony-sweeping *Oh, Mary!*, which Early cites as evidence that quietly risk-taking work can commercially thrive, giving him permission to bring 80s TV-movie melodrama into the influencer-satire era.



