Six Marketers: Fan-Made Content Beats Studio Replicas — SkimNews

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- Dawn Yang, TikTok's global head of entertainment, said users post more than 12 million TV and film clips a day on the platform, calling that "participatory culture of co-creation" the engine of engagement.
- Brianna McElroy, Lionsgate's global head of digital marketing for motion picture, said the studio actively hires fans to produce its TikTok "edits" content rather than mimic that fan-driven style internally, noting much of it comes from 15- to 18-year-olds.
- Sara Pollack, Pinterest's global head of consumer marketing, described a Warner Bros. partnership around "Practical Magic 2" that converted Gen Z searches for herbal apothecaries, crystal meanings and tarot readings into a real-world pop-up with tarot card readings and custom candle-making.
- Jenny Haggard, Spotify's global head of thought leadership, challenged the six-second-ad orthodoxy by citing Spotify dashboard data showing roughly a third of older Gen Z users stream 100% of two-hour podcast episodes, concluding "Gen Z isn't allergic to long-form content; they're allergic to shitty content."
- Ben Harms, chief growth officer at Archrival, argued brands that win over the next decade will build "ecosystems of experiences and human connection" rather than chase attention alone.
- Kim Granito, CMO of AMC Global Media, said marketers must design "choose-your-own-adventure" paths for franchises like "The Walking Dead" because fans express the same passion in wildly different ways — from silent watchers to Comic Con cosplayers of Negan.
- Haggard also pushed back on cohort shorthand, telling marketers that the 14-to-29 Gen Z range spans such different life stages that "life stage is a better predictor of behavior than birth year."
Why it matters: For entertainment marketers, the panel crystallized a tactical consensus: studios that outsource creative to fans (Lionsgate's hired TikTok editors) and platforms that translate fandoms into real-world activations (Pinterest's "Practical Magic 2" pop-up) are outpacing traditional campaign architectures. With TikTok logging 12 million user-generated TV/film posts per day and Spotify data upending the six-second-ad assumption, the playbook is shifting from broadcast control to participatory infrastructure — a change that puts pressure on every studio still gating its IP behind one-way marketing.
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